SIREN SONGS FRANKIE COSMOS — ‘Vessel’
THE GOOD: Indie singer/songwriter and former Porches bassist Greta Kline (daughter of Kevin Kline and Phoebe Cates) releases her third album as Frankie Cosmos.
THE BAD: “Vessel” feels a bit scattershot in spots; Kline is a better poet than pop singer. You get 18 tracks in about 34 minutes, some no longer than a single verse. Just go with it.
THE NITTY GRITTY: Kline can make the mundane deeply emotional and intriguing. Her voice, not often rising above a sort of purring coo, also gives the record a sense of intimacy. We peek at her innermost feelings even when the band is bashing away in the background. Her words also hail from urban settings, so that tiny voice probably can cut through the sounds of a speeding subway, too.
The woman can either be playful or deadly serious but never off-putting. “Vessel” often feels like you’re just hanging out at Kline’s apartment as she tells you about her day. That’s the charm of it all.
BUY IT?: Yes.
DEAR ROUGE — ‘Phases’
THE GOOD: Canadian electronic duo Dear Rouge (husband-and-wife team Drew and Danielle McTaggart) dodges the sophomore slump on “Phases.”
THE BAD: Enjoyable? Yes. But also “nothing NEW to see here.”
THE NITTY GRITTY: “Phases” is pretty formulaic. We get 10 slices of electronic-leaning indie pop with just enough guitar muscle to satisfy the “rock” people. Danielle McTaggart’s vocals guide the soaring hooks above the even-paced din below. Most of the record is “up” with a couple of token slower bits. Tracks such as “Live through the Night” and “Stolen Days” are catchy and driven enough to liven up your morning run or the side stage at whatever random music festival you choose.
It’s hard to find fault with this stuff other than the fact we’ve been down this road many times before, and yeah, we’ll go down it many more times in the future. Probably on the NEXT Dear Rouge album. Simply adjust your expectations accordingly and enjoy the ride.
BUY IT?: Your call.
MELODY’S ECHO CHAMBER — ‘Bon Voyage’
THE GOOD: French musician Melody Prochet finally releases her second album as Melody’s Echo Chamber.
THE BAD: Not really.
THE NITTY GRITTY: It’s been six long years since MEC’s self-titled debut (produced by Prochet’s boyfriend at the time, Kevin Parker of Tame Impala). Since then, the pair broke up, and Prochet suffered a near-fatal accident that pushed back the release of “Bon Voyage” for over a year.
Under those circumstances, you think the woman would play it safe musically. NOPE. The new album is wildly experimental, difficult to categorize and densely packed with a myriad of varying sounds. Singing in multiple languages and embracing more than a few eras, “Bon Voyage” attempts ALL things dreamy, flirtatious and infectious, and more often than not, it succeeds.
Bouncing amongst Deerhoof’s noisy melodic tendencies, Blonde Redhead’s multi-cultural peculiarities, and the classic charms of Charlotte Gainsbourg, Prochet touches upon everything from sunshine pop to garage rock to psychedelic freak-outs (often within the same song). You’ll uncover something new every time you play this record.
BUY IT?: Yes.