Female-fronted albums leave listeners wanting more
Speedy Ortiz – ‘Twerp Verse’
THE GOOD: New England indie rockers Speedy Ortiz release a confident third.
THE BAD: Nope.
THE NITTY GRITTY: Fronted by guitarist/lyricist Sadie Dupuis, a woman blessed with a voice crossing Bettie Seveert’s Carol Van Dijk with early Liz Phair, Speedy Ortiz is a rare band whose music is complex and catchy at the same time. The players adore bizarre tempo changes, alternate guitar tunings and hazy atmospherics. Dupuis excels at painting vivid (sometimes foreboding) pictures and utilizing clever wordplay.
Throughout most of these songs though, just when you think the band is treading in some seriously self-indulgent waters, a glorious hook or riff will sneak up from behind and catch you off guard. Almost instantaneously, you’re taken from the incomprehensible to the infectious. Tracks like “Lucky 88” and “Alone with Girls” are prime examples of the band’s intellectual ear candy. And the more times you revisit “Twerp Verse,” the more often welcome surprises pop up; the album demanding repeat listens.
BUY IT?: Oh yeah.
Camp Cope – ‘How to Socialize and Make Friends’
THE GOOD: Female Australian indie trio Camp Cope dodge the sophomore slump with the deadly serious, extremely poignant and tough-as-nails “How to Socialize.”
THE BAD: No.
THE NITTY GRITTY: Singer/guitarist Georgia McDonald is fed up with indie rock dudes, uneven relationships, social injustices both big and small and a myriad of other stuff. And she brings all these frustrations to the table with much vigor and emotion. Like the lyrics in “Anna” say: “Just get it all out/Put it in a song.”
The vivid observations make the fuzzed out, slightly punk arrangements all the more visceral, even during several mid-tempo bits. Bassist Kelly Hellmrich and drummer Sarah Thompson make sure the energy level never wavers.
Musically, these women aren’t far removed from fellow Aussie Courtney Barnett. They give us a basic yet layered mix of guitar/bass/drums that falls somewhere between punk’s spontaneity and prog’s unpredictable tendencies. Some sounds and structures recall that other female indie powerhouse Warpaint.
BUY IT?: Definitely.
Soccer Mommy – ‘Clean’
THE GOOD: Soccer Mommy (Nashville singer/songwriter/guitarist Sophie Allison) releases a fresh and focused debut.
THE BAD: Nope.
THE NITTY GRITTY: Barely in her 20s, Allison embraces a couple of different styles at the same time. First, her songs feel intimate, like a girl with a guitar quietly strumming in the corner and setting the mood at some neighborhood bar. But the tunes also possess a clear and definite edge. There’s an aggression rearing its not-too-ugly head at points, especially when the drums and bass kick in. That’s when we go from “folk night” to full-blown indie rock in all its ragged glory.
After pulling us in with the tranquil yet grainy “Still Clean,” Allison lets the rhythm section have a bash on the buzzing “Cool.” Later moments such as “Last Girl” and “Scorpio Rising” show off the woman’s pop chops; Allison bringing some big memorable melodies to the fuzzed-out proceedings. “Clean” is accomplished and concise, and definitely leaves you wanting more.
BUY IT?: Yes.