WATERS — ‘Something More’
THE GOOD: Waters, the Van Pierszalowski solo project that eventually morphed into a proper band, comes back with its third.
THE BAD: “Something More” could be polarizing to the band’s fans. The more records the group makes, the “safer” the music gets.
THE NITTY GRITTY: Listening to the new album, you get the feeling that Pierszalowski and his crew want to be Weezer (they even namedrop Cuomo and company during the playful “Second Guessing”). That’s not necessarily a “bad” thing, but it could be off-putting to those who wholeheartedly embraced the weirdness of 2011’s “Out in the Light.”
“More” plays it straight — 10 tight indie pop/rock songs in 35 minutes. It’s tough to resist the sheer catchiness of tunes such as lead single “Hiccups” and the slick title track. If you can forgive the predictability of the whole affair, you’ll want to devour these hooks and riffs time and time again. If you can’t, you might get bored rather quickly.
BUY IT?: Despite its faults, that’s still a yes.

WALRUS — ‘Family Hangover’ 
THE GOOD: Nova Scotia indie rockers Walrus offer up an impressive, ambitious debut.
THE BAD: Nope.
THE NITTY GRITTY: You can tell these guys are all about the studio, hunkering down and creating complex yet melodic modern indie rock. Those who embrace current bands such as Besnard Lakes, Mew, Suuns and Grandaddy now have another act to adore.
Fronted by Justin Murphy, a guy who sings below a falsetto but still in a higher register, Walrus churns out a mix of psychedelic jangle pop and heavier rock, with thunderous backbeats crashing behind floating guitars and majestic keyboards. Trickery is kept to a minimum (this stuff could probably be easily recreated live), although the boys aren’t above a little tape manipulation now and again.
Tempos and song structures change often, the album never staying in one emotional spot for too long. Just about every experiment succeeds with flying colors. And this band is just getting started. So take heed gentlemen — expectations for the next one already are running high.
BUY IT?: Yes.

BEACH FOSSILS — ‘Somersault’
THE GOOD: Brooklyn indie rock outfit Beach Fossils regroups and returns after four years with its third.
THE BAD: No.
THE NITTY GRITTY: Further shedding his humble Captured Tracks Records beginnings, frontman Dustin Payseur is making sure his crew is a little less lo-fi and a tad more ambitious (smart, intimate string arrangements always are a nice touch).
“Somersault” ends up a jangly, intelligent pop collection in the grand tradition of classic bands such as the Ocean Blue or Mighty Lemon Drops and contemporaries such as Real Estate and the Drums. The arrangements are smooth, the harmonies good and tight. And the album possesses an incredible flow from cut to cut, taking us on a dreamy journey that’s delicate for the most part but thunderous when it needs to be.
BUY IT?: Yes. One gets the feeling that Payseur is only beginning this logical progression, with things getting better all the time. Here’s hoping we don’t have to wait another four years for the next chapter.

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