THE GOOD: Scottish indie pop/rock outfit the Fratellis releases its fifth.
THE BAD: Here in the United States, these guys had two massive indie hits — “Flathead” and “Chelsea Dagger.” But that was over 10 years and four albums ago. Since its sophomore effort, 2008’s “Here We Stand,” we’ve pretty much ignored the band. That’s a shame.
THE NITTY GRITTY: While any Fratellis album won’t change the world, each has its share of damn-near irresistible guitar-driven pop songs. “Sweet Time” follows this tradition. Big hooks riding rock-solid arrangements litter the record.
Then somewhere around the middle, matters get practically majestic. The one-two punch of “I’ve Been Blind” and “Laughing Gas” finds choruses soaring into the stratosphere as six-strings ring out with copious amounts of cathartic melancholy. Simply divine.
But nothing on “Sweet Time” outright drags; the momentum barely diminishes until closing epic “I Am That.” Sometimes you need to sacrifice a little progression for that big, goofy smile on your face.
BUY IT?: Yep.

FRANZ FERDINAND — ‘Always Ascending’
THE GOOD: Scottish indie rockers Franz Ferdinand come back with their fifth (sixth if you count one-off Sparks collaboration FFS) and their first without guitarist Nick McCarthy.
THE BAD: Despite some new blood in the band (keyboardist/guitarist Julian Corrie), FF seems stuck on repeat. Depending on your expectations, that might not be a bad thing.
THE NITTY GRITTY: When they’re up, the boys crank out highly danceable rock tracks built on solid rhythms, jagged riffs and big melodies. When they’re down, the music gets moody (in a good way) as frontman Alex Kapranos holds back ever so slightly and goes all smooth on us.
On “Ascending,” we get the usual jumpy stuff, such as the instantly gratifying title cut and the silly, flirtatious “Glimpse of Love.” Yet there’s something to be said for the darker bits, especially melodramatic closer “Slow Don’t Kill Me Slow.” It’s during these quieter moments that a gentler yet equally compelling (and often overlooked) side of the band shines on brightly.
BUY IT?: Sure.

THE WOMBATS — ‘Beautiful People Will Ruin Your Life’
THE GOOD: British alt-rockers the Wombats give us a nondescript fourth.
THE NITTY GRITTY: On its 2007 debut, “A Guide to Love, Loss and Desperation,” the Wombats made hyper anthems built on big melodies, sarcastic wit and punk attitudes. Then the band got slick — and somewhat dull. And as it got further away from that blistering debut, the music grew more forgettable.
“Beautiful People” continues to drive home the point that this is a catalog of diminishing returns; it’s not a BAD album per se, but not a very distinct one either. Tracks such as “Cheetah Tongue” and “Out of My Head” bring on the tight beats, sharp riffs and cool melodies. But that’s not enough to distinguish the boys from a host of other somewhat snappy but interchangeable acts (Kooks, Two Door Cinema Club, Foals, etc.).
Adjust your expectations accordingly, and “Beautiful People” still gets the job done. But will we get another dose of the same circa 2021? Probably.
BUY IT?: Your call.