STARS – “There Is No Love in Fluorescent Light”
THE GOOD: Canadian indie pop band Stars shine on its captivating eighth.
THE BAD: No complaints.
THE NITTY GRITTY: As the band plays on, its sound gets slightly bigger while the formula never grows old. The focus remains the male-female vocal interplay between Torquil Campbell and Amy Millan; their distinct voices and differing singing styles complementing each other perfectly. We never exactly get traditional duets, but rather opposing viewpoints meeting somewhere in the middle. It’s like an appealing update of those classic Beautiful South records from the early 90’s.
Musically, Stars continue to drive its catchy songs with a divine combination of electro-pop and jangly rock ‘n’ roll. The beat is definitely front and center, but so is a genuine helping of human warmth. It’s tough to resist the immediate pull of glistening tracks such as “Hope Avenue” and “Real Thing.” Then again, why would you want to? “Fluorescent Light” is feel-good stuff without the sticky syrup.
BUY IT?: Sure.

THE GOOD: Canadian indie rockers Destroyer deliver an 11th album that’s both elegant and dirty.
THE BAD: Destroyer has always been a polarizing force. You either tune into the brilliance or find it all so befuddling. That doesn’t change here.
THE NITTY GRITTY: Cleverly directed by frontman (and occasional New Pornographer) Dan Bejar, a guy who sings like a more reserved Robyn Hitchcock, Destroyer bring on a sophisticated mix comprised of dissimilar parts such as Berlin-era David Bowie, smoky jazz, stark early New Order and singer/songwriter folk.
If it weren’t for Bejar’s deft, guiding hand, “Ken” would be a muddled mess. Yet the man makes the record come off like some black-and-white art-house flick that forces you to think right from the very beginning and leaves you with conflicting emotions long after its conclusion. Whether it’s the steady techno buried beneath “Tinseltown Swimming in Blood” or the naked feelings spread over the intimate “Saw You at the Hospital,” “Ken” is guaranteed to captivate.
BUY IT?: Yes.

THE GOOD: British singer/songwriter and ex-Oasis mastermind Noel Gallagher comes back with his third.
THE BAD: No gripes.
THE NITTY GRITTY: So…who wins the SOLO war: Noel or brother Liam with his “As You Were” album? Noel of course. Liam has the distinct voice, but Noel was the driving songwriting force behind that former band formed over a quarter-century ago. He’ll always churn out the more satisfying and distinct material. And since Oasis’ breakup, Noel’s ability as a proper frontman has grown as well.
“Moon” is his finest post-Oasis hour yet. Produced by 90’s electronic star David Holmes, it’s a record with BIG vibrant sounds and an irresistible swagger. Whether it’s the punchy glam carrying “Holy Mountain,” the Chemical Brothers-like throwback “It’s a Beautiful World” or the sheer pop bliss smothering the divine “If Love Is the Law,” the album is both super confident and fun. Noel is having a great time here. Turn it up, and you’ll have a great time too.
BUY IT?: Yes.