THE GOOD: DJ/producer Andy Butler jumps to a major label (Atlantic) while conjuring up sparkling rhythms and retro moves.
THE BAD: No gripes.
THE NITTY GRITTY: “Omnion” is the man’s fourth outing under the “Hercules” moniker and a typical night out with the guy and his crew. This time, guest vocalists include Sharon Van Etten, past collaborator Rouge Mary and Horrors’ frontman Faris Badwan. You might not recognize that last one at first; Badwan ditches garage punk for a smoother, techno-friendly approach.
Not every track is an outright winner, but there are no losers here either. Butler eases us through changes in mood and tempo; the evening runs smoothly and never sounds stuck on repeat. Whether it’s the slowly building swirl carrying the title track, the pulsating and banging “Rejoice” or the spaced-out squiggles behind “Lies,” Butler and his guests are always in sync. The rare occasions where he completely pulls back the beats also bring balance and give us (and the music) room to breathe.
BUY IT?: Yes.

CUT COPY — ‘Haiku From Zero’
THE GOOD: Australian electronic act Cut Copy does what it does best on its fifth.
THE BAD: No real issues, but no real innovation either. Cut Copy has always been extremely good at reinterpreting grooves from the past — mainly the ’80s and ’90s. It does it over and over again. Thankfully, the end results are always agreeable.
THE NITTY GRITTY: From those very first island rhythms rumbling beneath opening cut “Standing in the Middle of the Field,” you kind of know exactly where “Haiku” is going. We’re in for a steady mix of upbeat bangers that reimagine the beats from classic funk, disco and techno records. Every track grabs you with a dedicated hook. Every jam shakes up the room completely on its own.
Personal favorite bits include the bouncy, late-night reverberations found throughout “Memories We Share” and the multi-layered party wrapped around the slick “Living Upside Down.” It’s all good, highly energetic stuff. We’ve been on this dance floor before, but who cares?
BUY IT?: Why not?

WU-TANG — ‘The Saga Continues’ 
THE GOOD: Legendary hip-hop collective Wu-Tang releases its seventh. The “Clan” part of the name is on hold because long-time member U-God is NOT present thanks to a legal dispute.
THE BAD: Where to begin?
THE NITTY GRITTY: It hasn’t been a great decade for the Wu. 2014’s “A Better Tomorrow” was mired in R&B. The guys angered their fan base by only releasing ONE COPY of 2015’s “Once Upon a Time in Shaolin.” (That’s a fascinating story.) And now this…
“Saga” is the first BORING Wu-Tang album. Producer Mathematics can’t recapture that much-desired murky and haunting Wu vibe. There aren’t enough muddy samples, and the overall sound is too clean.
And why so many outsiders? Redman, Chris Rivers, Sean Price — these guest shots seem unnecessary. Plus, there’s a genuine “going through the motions” vibe throughout this thing.
Later this year, the Wu-Tang Clan will be eligible for the Rock ‘n’ Roll Hall of Fame. I’d love to see it inducted. But maybe the crew should quit while they’re ahead.
BUY IT?: Sadly … skip it.