MORRISSEY — ‘Low in High School’
THE GOOD: British singer-songwriter and indie mainstay Morrissey returns with his 11th proper solo album.
THE BAD: At almost 60, the guy doesn’t care what people think anymore (not that he ever did). His politics are more challenging and polarizing than ever. And as the man moves forward, his views become less subtle as well. You either embrace the anger or find it a complete turn-off.
THE NITTY GRITTY: Thankfully, Morrissey still has the pipes to handle the gorgeous, sweeping melodies that show up time and again throughout “High School.” So even if you get bored with the whole “everything is miserable” diatribe rallying against ALL politicians, the British monarchy (still), the class system, any sort of love life and all facets of life in general (don’t we all know enough insufferable people personally on Facebook?), you still can embrace the music.
But really, would we want a happy, contented Morrissey? Definitely not. So “High School” delivers what we crave.
BUY IT? Sure.

WOLF PARADE — ‘Cry Cry Cry’
THE GOOD: Canadian indie outfit Wolf Parade regroups and come back with its fourth full-length album.
THE BAD: “Cry Cry Cry” gets murky across its middle section but begins and ends very sturdily.
THE NITTY GRITTY: Was the band’s first album in seven years worth the wait? Actually, YES. While “Cry Cry Cry” isn’t a trailblazing collection, it’s still a very enjoyable rock/new wave record, a set of well-crafted, confident songs that aren’t the least bit sloppy.
From the dramatic opener “Lazarus Online” to the sheer, synthesized pop bliss that is “You’re Dreaming,” the album throws us back to prime Interpol, early Arcade Fire and upbeat Peter Murphy with shimmering and slightly jangly gems. “Flies on the Sun” sweeps us up in a heavy sway. “Artificial Life” packs on the relentless energy. The majestic yet forceful “King of Piss and Paper” crash lands the entire affair and leaves us wanting more. Here’s hoping these guys are back for the foreseeable future.
BUY IT?: Yes.

STARSAILOR — ‘All This Life’
THE GOOD: English post-Britpop rockers Starsailor give us their fifth album (and first in eight years).
THE BAD: Starsailor makes smart, enjoyable, guitar-based pop/rock records. But the group doesn’t make great or highly memorable ALBUMS. “All This Life” continues that trend.
THE NITTY GRITTY: That being said, the new album is STILL a … well … smart, enjoyable, guitar-based pop/rock record. Sometimes that’s all you need. Frontman James Walsh and his crew pick up right where they left off almost a decade ago. The guys reformed in 2015 for a tour supporting a U.K. “hits” collection and decided the not-so-old magic still existed. Why not some new music?
Long-time fans will be pleased, as they get the usual mix of upbeat, catchy bits, such as the title track and “Best of Me,” as well as more laid-back and introspective stuff, such as the dramatic “Sunday Best” and charming, intimate closer “No One Else.” There really aren’t any outright duds here, just the rockers being their melodic, swaggering selves. Nothing wrong with that.
BUY IT?: Sure.

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