THE GOOD: St. Vincent (singer/songwriter/multi-instrumentalist Annie Clark) comes back with a slick (but not-TOO-slick) fifth.
THE BAD: Not here.
THE NITTY GRITTY: Co-produced and (at times) co-written with current pop wunderkind Jack Antonoff, “Masseduction” is not exactly a bid for the mainstream. Yet the album finds Clark flirting with the whole pop aesthetic while bending and/or breaking it in a way that only she can.
One falls under the spell of dance beats, industrial noise, whirring synths, blazing guitars — all in the span of about 42 minutes. “Masseduction” is an airtight affair; an emotional rollercoaster that takes us from the ad-jingle satire of “Pills” to the sad intimacy of “Happy Birthday, Johnny” to the pounding apocalypse that is “Fear the Future” and back again.
By the time we reach the tragedies being wished upon throughout dramatic closer “Smoking Section,” you’re emotionally drained. But what a strange and divine trip it has been. And one you immediately want to embark upon again.
BUY IT?: Definitely.

THE GOOD: Australian singer/songwriter Courtney Barnett teams up with American singer/songwriter Kurt Vile on an impromptu jam session.
THE BAD: Those clamoring for a proper follow-up to Barnett’s blazing 2015 debut “Sometimes I Sit and Think” may be somewhat disappointed. (That follow-up happens later this spring.)
THE NITTY GRITTY: Barnett and Vile meet somewhere towards the middle on “Sea Lice.” She has to calm down while he needs a shot of energy. Once they find common ground, Barnett comes off as slightly lethargic while Vile’s homespun charm becomes easier to swallow.
In lesser hands, this record would be a total disaster. However, these two click. Their casual raw sensibilities bring forth a loose set of songs both ragged and murky. But that’s how they SHOULD sound. Any attempt at smoothing out the rough edges would feel forced.
Yet “Sea Lice” is best when taken in small doses. Forty-five minutes can be a bit of a slog when you were craving something more focused.
BUY IT?: Your call.

THE GOOD: French singer/songwriter (and actress) Charlotte Gainsbourg returns after a 6-year recording hiatus with the therapeutic “Rest.”
THE BAD: Nope.
THE NITTY GRITTY: Gainsbourg is purging pain throughout the record, having lost her half-sister earlier in the decade and still grappling with her famous father Serge Gainsbourg’s passing in the early ’90s. “Rest” visits dark territories yet the album is NOT a downer. Moody and atmospheric? Completely. Down-tempo and tuneless? Hardly.
Sung half in French and half in English, the songs find their brooding lyrics juxtaposed with graceful melodies and backdrops evoking everything from late night dance tracks (“Deadly Valentine”) to pop bliss (“Dans Vos Airs”). When Gainsbourg whispers in our ear during the bubbly “I’m a Lie,” she even sounds like her mom, Jane Birkin. Guided by French producer/DJ Sebastian Akchote, “Rest” is practically a perfect melding of icy electronics and warm raw human emotions. It’s a strong combination that doesn’t release its grip until the final note fades out.
BUY IT?: Yes.

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