STILL AROUND – PART ONE BJöRK — ‘Utopia’
THE GOOD: Icelandic singer/songwriter/producer Bjork gives us an epic ninth.
THE BAD: “Utopia” requires time and serious effort. It’s worth the work.
THE NITTY GRITTY: Here the indie legend creates an entire world made of sweeping orchestral arrangements, electronic rhythms, magnificent choirs, nature sounds and lots of flutes. If 2015’s “Vulnicura” was a break-up album, “Utopia” is a record of new beginnings and rediscovering love. Yes, these are love songs, but not in the traditional “simplistic” sense. Bjork prefers to take us on a journey of discovery as opposed to three chords and straight-forward declarations of affection.
There are a few hard-driven moments across the middle, such as the crackling “Courtship” and the thumping, aggressive “Sue Me.” Most of the album, though, is tranquil, down-tempo and atmospheric. Tracks such as the delicate, graceful title cut and the stark, intimate closer “Future Forever” set the overall tone. It leaves us with a multi-dimensional headphones record capable of keeping harsh reality at bay, if only for just over 70 glorious minutes.
BUY IT?: Yes.

EMINEM — ‘Revival’
THE GOOD: Hip-hop artist Eminem releases a huge ninth.
THE BAD: Still stuck in a creative rut?
THE NITTY GRITTY: The man has yet to match the brilliance of his first four groundbreaking releases, all unleashed between 1996 and 2002. Since 2004’s “Encore,” Eminem has been giving us stuff reminiscent of past glories, but never equaling them. 2013’s “Marshall Mathers LP 2” came close, but now “Revival” takes another unfortunate step backward.
He brings in Beyoncé, Ed Sheeran and Alicia Keys to sing some hooks. Too bad the Cheech and Chong, Joan Jett and “Boogie Nights” samples also found here are all more interesting than those guest appearances. Sure, he goes after Donald Trump and the police, but it all seems so tired at this point. And is it genuine? Slim Shady used to care about nothing or no one. Now he’s middle-aged with a conscience? Guess so.
“Revival” isn’t a total loss, and there are some slick jams here. But are there any verses worth committing to memory?
BUY IT?: Your choice.

MEAT BEAT MANIFESTO — ‘Impossible Star’
THE GOOD: British electronic legend Jack Dangers (he still is MBM) comes back with his 12th full-length and first in eight years.
THE BAD: Not exactly his most innovative record, “Star” is a pulsating throwback to the man’s ’90s heyday. Some of these sounds are vaguely familiar.
THE NITTY GRITTY: Yet, the album still finds inspiration in our current topsy-turvy, semi-gloomy cultural and political landscape. Dangers once again employs an eclectic mix of eerie ambient sounds, heavy beats, atomic age samples, funky bass lines, abrasive melodies and a plethora of electronic blips and noise. Creepy in some spots (the haunting opening ramp-up “One”) and outright banging in others (the relentless pops and grooves carrying “Nereus Rov”), “Star” covers a lot of emotional (and hip-shaking) territory in just over an hour.
This new set proves just how much we missed this guy. There have been many imitators over the years, but few (if any) have been able to surpass Dangers since the late ’80s.
BUY IT?: Yes.

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